The treble is also linear to my liking with slightly below average extension.Instances of sibilance and peaks are not present during my testing period and is a good sign for those people that do not want any harshness to their listening experience. That experience reminds me of my experience with the TRI Meteor which I have reviewed before when I did not pair it properly within my first hour with it. Upper mids are nearly the same as the lower mids in terms of the level of forwardness, but experience a bit of veil on some tracks especially when underpowered. They do not sound distant or thin on most tracks. There are no instances of midbass bleed perceived here in this region and yet the lower mids still managed to sound accurately thick, smooth, and detailed. The mids on the Neon are forward in general, unlike most IEMs that exist within the 60USD or under price range.It is still enjoyable on EDM tracks but it isn’t its forte. As a result, the KB Ear Neon is not meant to be enjoyed in very bass-heavy tracks and genres, as it will be lacking a sub-bass rumble and depth like its other sibling/s such as the KS1 and KS2 but the Neon, excels well in control and decay when compared. Decay leans to the faster side of the spectrum and is very controlled, thumpy, and tight. It is linear as both sub-bass and midbass are at equal levels. Lows are present but far from being a basshead.Easy to be driven properly but scales well with a fairly powerful source (ex. Linear lows presentation, forward mids, and less forward highs when compared to the mids. In safer terms, it is neutral-midcentric sounding IEMs. IEM and configuration: Stock silicone small eartips, stock cable, any form of EQ or MSEB off, 40-60% volume, both high and low gain. Local Files via Foobar and Roon, YouTube Music, Deezer, and Qobuz with UAPP. Non-HiFi smartphone (realme 5i, Samsung Galaxy On7).Your mileage may (and always, will) vary.īurn-in time: 5-10 hours per day, 4 days.No monetary compensation is/was involved before, during, and after the period of creation of this review.The following remarks and observations shall be made and owned only by me.(Non-affiliated product link here! Click me!) Rest assured that the following observations and findings will be away from bias/es as much as possible. KeepHiFi sent over this unit to me in exchange for an honest, unbiased review.We have composed a 4 minute track specifically for this theme, however users are also encouraged to mute the theme audio and utilize their own via USB or music streaming service.Good day! After 4 days of casual and critical listening, here’s my written review for the KBear Neon. Transitions in the compilation themes are sequential and seamless, presented with a VCR OSD and tracking artifact to recreate a distinctly 80’s visual aesthetic. Visuals are synced in time to music at 120 BPM, with evolving elements that twist and distort based on user input. Every individual scene is also included as its own single dynamic theme (10 in all). The ‘B-Side’ compilation theme, which fuses 5 unique ‘low-intensity’ scenes (Metropolis, Star Child, River, Mindscape, Highway) The ‘A-Side’ compilation theme, which fuses 5 unique ‘high-intensity’ scenes (Waves, Canyon Run, Wormhole, Grid, and Rubicon). This bundle contains 12 dynamic themes in total: All themes are presented in real-time HD. This represents a 12-theme original series inspired by synthwave and, to lesser degree, vaporwave and chillwave music microgenres, utilizing bold colors and retro-futuristic visuals to recapture an era drenched in neon light. Now available in North America, the Synthwave Dynamic Theme Bundle brings a compilation of interactive neon-drenched visuals to life on your PS4™.
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